A Circular dish of red coloured lustre, circa 1890

Decorated with stylised leaves and flowers and fruit

Why Is It Important?

William De Morgan (1839-1917) followed very closely the colours and designs of the Turkish Iznik wares. This is one of two Persian styles by De Morgan; the term relating to the technique he employed.

The production of lustre is a complicated process, achieved by applying a mixture of silver and copper oxides to the cold surface of the glazed object. It is then fired again, leaving a metallic surface finish.

Cultural Links

Lustre has its origins in 9th Century Persia and later Egypt and Syria. By the 15th Century it was used extensively in making majolica ware in Italy.

Known primarily as "Persian Ware" – this generic label is now considered to be inaccurate. It was used for all Islamic ceramics up to the mid 1860's, at a time, when, what is now modern Iran was seen as the cradle of Muslim Art.

The decorative design can be traced back to 16th Century Iznik pottery. The use of flowers and foliage was particularly significant for Islamic cultures as a reminder of Heavenly Paradise.

Next : A Courtyard, Algiers, circa 1879 (Oil on panel).

Previous : Flower and foliage tile panel, circa 1871-1881.

End Arab Hall Tour.