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Summary
Summary
On the day the world ends . . .
. . . Mau is on his way home from the Boys' Island. Soon he will be a man. And then the wave comes - a huge wave, dragging black night behind it and bringing a schooner which sails over and through the island rainforest. The village has gone. The Nation as it was has gone. Now there's just Mau, who wears barely anything, a trouserman girl who wears far too much, and an awful lot of big misunderstandings . . .
Wise, witty and filled with Terry Pratchett's inimitable comic satire, this is a terrific adventure that - quite literally - turns the world upside down.
Author Notes
Terry Pratchett was on born April 28, 1948 in Beaconsfield, United Kingdom. He left school at the age of 17 to work on his local paper, the Bucks Free Press. While with the Press, he took the National Council for the Training of Journalists proficiency class. He also worked for the Western Daily Press and the Bath Chronicle. He produced a series of cartoons for the monthly journal, Psychic Researcher, describing the goings-on at the government's fictional paranormal research establishment, Warlock Hall. In 1980, he was appointed publicity officer for the Central Electricity Generating Board with responsibility for three nuclear power stations.
His first novel, The Carpet People, was published in 1971. His first Discworld novel, The Colour of Magic, was published in 1983. He became a full-time author in 1987. He wrote more than 70 books during his lifetime including The Dark Side of the Sun, Strata, The Light Fantastic, Equal Rites, Mort, Sourcery, Truckers, Diggers, Wings, Dodger, Raising Steam, Dragons at Crumbling Castle: And Other Tales, and The Shephard's Crown. He was diagnosis with early onset Alzheimer's disease in 2007. He was knighted for services to literature in 2009 and received the World Fantasy award for life achievement in 2010. He died on March 12, 2015 at the age of 66.
(Bowker Author Biography)
Reviews (7)
Publisher's Weekly Review
In Carnegie Medalist Pratchett's (the Discworld novels; A Hat Full of Sky) superb mix of alternate history and fantasy, the king of England, along with the next 137 people in line to the throne, has just succumbed to the plague; the era might be akin to the 1860s or '70s. As the heir apparent is being fetched from his new post as governor of an island chain in the South Pelagic Ocean, his daughter, the redoubtable Ermintrude, still en route to join him in the South Pelagic, has been shipwrecked by a tsunami. She meets Mau, whose entire people have been wiped out by the great wave (he escaped their fate only because he was undergoing an initiation rite on another island). She and Mau each suffer profound crises of faith, and together they re-establish Mau's nation from other survivors who gradually wash up on shore and rediscover (with guidance from spirits) its remarkable lost heritage. Neatly balancing the somber and the wildly humorous in a riveting tale of discovery, Pratchett shows himself at the height of his powers. Ages 12-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Middle School, High School) Two civilizations meet when a tsunami shipwrecks an English vessel on a small tropical island. Representing the empire is the sole survivor of the wreck, the young girl Ermintrude. She meets Mau, a boy on the brink of manhood, and the only survivor of the island's "nation." All the attractions of a castaway story are here -- including an ingenious use of found materials, exotic plants and animals, nature's violence, really bad bad guys, and a single footprint in the sand -- but this story holds far more. The historical setting is an alternative nineteenth century in which the Russian Plague has killed off the English monarch, and the monarch-in-waiting, King Henry IX, is marooned on the other side of the world. This cheeky premise releases Pratchett into an exploration of the impulse to empire and an examination of a world in which all assumptions -- about society, law, science, gender, religion, and justice -- are up for questioning. As Mau says, "The wave came. These are new days. Who knows what we are?" The unique pleasure of this story is that all the serious subjects and juicy ethical questions, such as the dilemma of the compassionate lie, are fully woven into action and character. Satirical portraits of upper-class twits, slapstick buffoonery, bad puns, and that particular brand of English wit buoy this story at every turn. Add a romance of gentle sweetness, encounters with ghosts, and lots of gunfire, and it is hard to imagine a reader who won't feel welcomed into this nation.From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* Somewhere in the South Pelagic Ocean, a tidal wave wipes out the population of a small island except for Mau, who was paddling his dugout canoe home after a month spent alone, preparing to become a man. The wave also sweeps a sailing ship carrying Daphne, an English girl, up onto the island and deposits it in the rain forest, where Mau finds her. Over the months that follow, they learn to communicate while welcoming more people to their shores and building a community of survivors. Mau searches for the meaning behind his people's gods, while Daphne applies her nineteenth-century knowledge of science and history to the many puzzles she discovers in this unfamiliar place. Broad in its scope and concrete in its details, this unusual novel strips away the trappings of two very different nations to consider what it is people value and why. Certain scenes are indelible: Mau's nonverbal communication to Daphne that a pregnant woman has landed, and she must help with the birth; or the terrifying yet awesome descent into a cave. Quirky wit and broad vision make this a fascinating survival story on many levels.--Phelan, Carolyn Copyright 2008 Booklist
New York Review of Books Review
THE comic fantasy novels of Terry Pratchett, author of the Discworld series, are unsentimental about human nature, but not angry - people are self-interested, but they are still capable of goodness, even if they express it in sloppy, conflicted and inept ways. Pratchett's characteristically British comic technique juxtaposes comic exaggeration, like funny names and over-the-top situations, with pomposity-puncturing asides, usually from the characters, but just as often from Pratchett himself, who is a wryly twinkling presence in all of his books. "Nation," Pratchett's immensely entertaining new young adult novel, manages to be both thought-provoking and sweet. Not a Discworld book, it is more an extended fable than a satire. It is set in a parallel 19th century where the English crown has just been inherited, thanks to a plague, by the 139th heir to the throne, who is currently serving as a colonial governor in the Great Pelagic Ocean (which according to an author's note, is not really the Pacific). Meanwhile, the heir's daughter, Ermintrude, who prefers to be called Daph- ne, is already en route to join her father when she is shipwrecked by a tsunami on a tropical island. The same island is also home to Mau, a boy who was away on an adolescent vision quest when the wave struck. He comes back to find everyone dead and his entire way of life obliterated. Soon enough, Daphne and Mau meet - at first she sees only a naked savage, and he sees only a pale "ghost girl" - and they are joined by other native survivors, from other islands in the archipelago. Under the leadership of Mau and Daphne, they all learn to overcome their mutual misunderstandings and join forces to create a new, syncretic nation that is richer, more complex and - we're meant to believe healthier. This is a tendentious book, in other words, but in the least annoying sense of the word. The climax is downright utopian, as the depredations of colonialism are avoided by youthful courage, good intentions and clever legal legerdemain. At the same time, Pratchett, a master aphorist, gets off a really good one that encapsulates the book's one-world spirit: "The world is a globe-the farther you sail, the closer to home you are." The heart of the book is Pratchett's serious examination of the roots and utility of religion. He's clearly a skeptic, and at times "Nation" reads like Philip Pullman, but with less anger and more jokes, and a bit more ambiguity. Both Mau and Daphne question their religious beliefs in the face of their desperate situation, but at the same time, they both hear, quite distinctly, voices in their heads that might be gods, or might just be voices in their heads. Pratchett doesn't say, though at one point he gives Mau a skeptic's epiphany: "That's what the gods are! An answer that will do!" I don't want to make "Nation" sound like a tract. It's a wonderful story, by turns harrowing and triumphant, and Mau and Daphne are complicated and tremendously appealing characters. And since it's a Terry Pratchett novel, there is also a small army of vivid minor characters, including some colorfully venal British mutineers, a hilariously dry civil servant named Mr. Black and, in a cameo appearance from Discworld, Death himself, who appears here as a god called Locaba. It's a book that can be read with great pleasure by young readers - and not a few of their parents, I suspect - as both a high-spirited yarn and a subtle examination of the risks and virtues of faith. James Hynes lives in Austin, Tex. His new novel, "Next," will be published in 2010.
School Library Journal Review
Gr 7-10-In this first novel for young people set outside of Discworld, Pratchett again shows his humor and humanity. Worlds are destroyed and cultures collide when a tsunami hits islands in a vast ocean much like the Pacific. Mau, a boy on his way back home from his initiation period and ready for the ritual that will make him a man, is the only one of his people, the Nation, to survive. Ermintrude, a girl from somewhere like Britain in a time like the 19th century, is on her way to meet her father, the governor of the Mothering Sunday islands. She is the sole survivor of her ship (or so she thinks), which is wrecked on Mau's island. She reinvents herself as Daphne, and uses her wits and practical sense to help the straggling refugees from nearby islands who start arriving. When raiders land on the island, they are led by a mutineer from the wrecked ship, and Mau must use all of his ingenuity to outsmart him. Then, just as readers are settling in to thinking that all will be well in the new world that Daphne and Mau are helping to build, Pratchett turns the story on its head. The main characters are engaging and interesting, and are the perfect medium for the author's sly humor. Daphne is a close literary cousin of Tiffany Aching in her common sense and keen intelligence wedded to courage. A rich and thought-provoking read.-Sue Giffard, Ethical Culture Fieldston School, New York City (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Pratchett's latest masterpiece chronicles a lad's struggle to survive, and far harder struggle to make sense of the universe, after a tsunami wipes out his entire people. Along with the lives of everyone he has ever known, the devastating wave sweeps away Mau's simple, happy soul--literally, he believes. Fortunately, though much of his angry quest to find something to replace his lost faith in the gods is internal and individual, he acquires company on his tropical island, in the form of the shipwrecked, repressed-but-not-for-long daughter of a high British government official and a ragged group of survivors from other islands who straggle in. This is no heavy-toned tale: Tears and rage there may be in plenty, but also a cast of marvelously wrought characters, humor that flies from mild to screamingly funny to out-and-out gross, incredible discoveries, profound insights into human nature and several subplots--one of which involves deeply religious cannibals. A searching exploration of good and evil, fate and free will, both as broad and as deep as anything this brilliant and, happily, prolific author has produced so far. (Fantasy. 11 & up) Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
When Mau returns home from his coming-of-age quest, he finds that a tsunami has wiped out his entire people. Also on the island is a shipwreck survivor, Ermintrude, an English miss now calling herself Daphne. Daphne does not know that she, too, is one of the last of her line. At home, in an alternate 19th-century Britain, a plague has all but destroyed the royal succession. Now her father is king and desperate to find her. Together Mau and Daphne work to rebuild some form of civilization, leading a ragtag group of other survivors who make their way to their island "nation." Why It Is a Best: The author's mix of absurd humor and rollicking adventure sugarcoats his larger theme: how do you build again when everything you know-your security, your idols, and your culture-is stripped away? Why It Is for Us: At times, Pratchett stops the action to ruminate on the relationship between humans and the gods, familiar stuff for fans of his Good Omens (1990). Readers of a certain age will wonder whether he went to the Monty Python school of comedy-Gentlemen of Last Resort, cannibals from the Land of Many Fires, and regurgitating Grandfather birds abound.-Angelina Benedetti, King Cty. Lib. Syst., WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.