Elsa and Beauty in the Beast

Monday 30 April to Monday 14 May 2012

Anna Tham

Beauty in the Beast gold necklace Chelsea Gallery

Joy Adamson’s celebrated book Born Free described George Adamson’s and her relationship with Elsa the lioness, and it had a profound impact on the public back in the early sixties when it was first published. It was one of the very first popular accounts of a deep and reciprocal relationship between humans and an animal from the wild – indeed one of the most archetypal of wild animals.

Elsa and Beauty in the Beast poster image       Flower prints, Elsa and Beauty in the Beast, Chelsea Gallery

The Elsa Conservation Trust and The George Adamson Wildlife Preservation Trust continues that story today within both the "civilized world" and those communities living in close proximity to these wild animals, working to help create a wider and more lived consciousness of the nature and importance of the potent and fertile relationship that exists between humanity and the animal kingdom.

Beauty in the Beast cat        Lion standing up against TV, Elsa and Beauty in the Beast, Chelsea Gallery

Anna Tham’s jewellery identifies with this mutually empowering relationship between animals and humans. Placing these images of living, sentient and purposive animals around the neck, at our most primal vulnerability, we both honour and celebrate them in co-existence and co-communication. Their presence engages us in the possibility of awakening and enhancing our relationship with animal nature, both theirs and ours. They open us up to our experience of the magical in the mundane, they connect us to our inner being, they move us and open our hearts. The imagery carries a grandeur, richness and power that is both empowering and transforming. They celebrate both the wearer and the animal kingdom, and unite us in our respective inner lives and struggles within our common home on this beautiful planet.