Holland Park Circle

Leighton01The leading artists of the ‘Holland Park Circle’

Frederic, Lord Leighton P.R.A. (1830 – 1896)

Valentine Prinsep R.A. (1838 – 1904)

George Frederic Watts O.M. (1817 – 1904)

Sir Luke Fildes R.A. (1843 – 1918)

Marcus Stone R.A. (1840 – 1921)

Sir Hamo Thornycroft R.A. (1850 – 1925)

Colin Hunter A.R.A (1841 – 1904)

Sir James Jebusa Shannon R.A. (1862 – 1923)

William Burges (1827-1881)

 

P.R.A.:  President of the Royal Academy

R.A.:  Royal Academician

A.R.A.:  Associate Royal Academician

O.M:  Order of Merit


Notes on the 'Holland Park Circle'

Download the visitor factsheet: Holland Park Circle [PDF] (file size 550kb)

 

When Leighton’s house was first completed in 1866, the view from the dining room was onto open parkland stretching to the north. While never entirely losing this semi-rural character, the outlook changed dramatically over the 30 years that Leighton lived in Holland Park Road, as a unique colony of artists’ houses grew up around him - the 'Holland Park Circle'.

In 1875 Melbury Road was laid out across the back of the garden. Following Leighton’s example in Holland Park Road, many of the plots along it were bought by up-and-coming artists who then commissioned leading architects to design houses that combined studio space with domestic quarters for them and their families. Built on a grand scale and to the artists’ exacting requirements, these houses were investments, designed to further the reputation and standing of their occupants. Ultimately the painters and sculptors living in ‘Paradise Row’ became the backbone of the artistic establishment enjoying great wealth and fame. With the exception of Colin Hunter, all were made full Royal Academicians (Watts resigned following Leighton’s death), with numerous public honours and titles bestowed upon them. Although the reputation of many of these artists has faded, all but two of their houses still remain, allowing us an insight into the wealth, tastes and social standing of successful artists in late Victorian London. 

 

Leighton and his immediate neighbour Val Prinsep built their houses in tandem and remained firm friends until Leighton’s death. However Prinsep then objected strongly to the idea that Leighton’s house should become a museum and even more so to the proposal that Holland Park Road might be re-named ‘Leighton Road’, making his views known in letters to The Times.

 

Prinsep’s architect, Philip Webb, had designed Red House in Bexleyheath for William Morris in 1859 and was a leading architect of the Arts and Crafts movement. Initially built on a modest scale, the house was greatly extended in the early 1890s following Prinsep’s marriage to the shipping heiress Florence Leyland.

 

Shannon’s was the last of the studio-houses to be built along Melbury Road and Holland Park Road. Constructed on the site of what had been a farmhouse, this final addition encroached ever closer to Leighton’s own home and was composed of two distinct blocks – one containing the family home and the second the working studio. Born in the United States, Shannon’s fortune came from his success as a fashionable portrait painter.

 

At the time Melbury Road was being laid out in the mid-1870s, Leighton extended his garden to ensure that any new building would not come too close. The plot directly to the rear was secured by Marcus Stone and the resultant house is one of two in Melbury Road designed by the architect Norman Shaw in the ‘Queen Anne’ style. At the artist’s request, a glass winter painting studio was built on the first floor. Many of Stone’s very successful paintings of romantic trysts and troubled courtships were set in his garden.

 

Leighton and Watts were the two artists at the heart of the ‘Holland Park Circle’. They were close friends and would often call on each other using a gate that connected their gardens. Watts' house contained four studios.  He also built a large gallery extension to display his work designed by the architect of Leighton's house, George Aitchison. Following a planning hearing at which few objections were raised, Watts’s house was demolished in 1964 to make way for a block of 30 flats designed by Austin Blomfield. It is the only one of the Holland Park Circle houses to have been wilfully destroyed.


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12 Holland Park Road
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