Forgotten voices of 19th century
travel and exploration
Travel stories - a selective history?

View of Constantinople (now Istanbul) and the River Bosphorus, c.1890. Photograph by Sebah & Joaillier (photograph courtesy the Stapleton Collection)
These were among the dramatic adventure stories that young Victorian boys were told in their nurseries. In contrast, Victorian children were deprived of the stories of female travellers and explorers, of which there are many. In addition, Victorian society never imagined that men and women of other nineteenth century cultures could be as equally interested in travel and exploration as they were. Some of the commentaries by eastern travellers to Europe give insightful perspectives on social and cultural practices as seen by a non-Westerner.
Women Travellers

Photograph of nineteenth century tourists climbing the pyramids with native guides. (photograph courtesy the Stapleton Collection)
In response to such criticisms the writer and traveller Mabel Sharman Crawford (1830-1860), who wrote a book titled Through Algeria (1863) responded 'if the exploring of foreign lands is not the highest end or the most useful occupation of feminine existence, it is at least more improving, as well as more amusing, than the crochet work or embroidery with which, at home, so many ladies seek to beguile the tedium of their unoccupied days'.
The vast majority of women who undertook travel in the nineteenth century came from wealthy backgrounds and could afford to fund their adventures. This was the case if it was lone travel, with husbands or other family members and applies to both women from the west and east.
Challenging and reinforcing cultural stereotypes
Most travel and adventure fiction writing of the nineteenth and early twentieth centuries, was biased by virtue of the fact that it was written in the so-called 'age of empires'. Therefore, the common theme in British and Ottoman novels sees the hero, usually a man, overcoming obstacles against a savage enemy and ultimately winning the day. In contrast to the fiction stories are the personal accounts of travellers, which offer more realistic descriptions of the lands and peoples encountered. It has to be remembered however, that even these accounts will be tainted with the assumptions of the writer. In Edith Wharton's (1862-1937) book In Morocco (1920) she describes the people of the marketplace in Marrakech in the following manner 'fanatics in sheep skins glowering from the guarded thresholds of the mosque....consumptive Jews with pathos and cunning in their large eyes and smiling lips, lusty slave-girls with earthen oil-jars resting against their swaying hips'. Other accounts are striking in their questioning of traditional assumptions. Lady Mary Wortley Montagu who was wife to the British ambassador in Istanbul wrote to her sister in 1717 saying 'I look upon the Turkish women as the only free people in the empire. It is true their law permits them (husbands) four wives, but there is no instance of a man of quality that makes use of this liberty, or of a woman of rank that would suffer it. Thus you see dear sister, the manners of mankind do not differ so widely as our voyage writers would make us believe'.Views from the outside
'The French show charity in words and deeds, but not when it involves their money and possessions' wrote the Egyptian scholar Rifa'a al-Tahtawi (1801-1873) in 1834. Al-Tahtawi was one of forty-four students sent to Paris from 1826-31 by Muhammad Ali, ruler of Egypt to study European education and legal systems. He published his records of this experience in 1834 under the title The Extraction of Gold in the Summarising of Paris. His account describes the impressive transport systems of Paris and the advances in medicine and education. Although he was impressed with French philosophy he was offended by French claims that 'the intellect of their philosophers and physicists is greater and more perceptive than that of the prophets'.Over eighty years later the Turkish woman Zeyneb Hanoum wrote in her book A Turkish Woman's European Impressions (1912) 'In costume we are on a level with Paris, seeing as we buy our clothes there; and as regards to culture, we are perhaps more advanced than in the West..and yet how little we are known by the European critics' As with western women travellers at this time, Zeyneb Hanoum came from a privileged background, her father being the minister of foreign affairs for the Ottoman Empire. She is seen by many today as an important figure in the early feminist movement. In a change from not having to wear the veil which was traditional in Turkey, she found elements of western costume equally topical to write about
'One thing to which I never seem to accustom myself is my hat. It is always falling off. Sometimes, too, I forget that I am wearing a hat and lean back in my chair: and what an absurd fashion - to lunch in a hat! Still, hats seem to play a very important role in Western life. Guess how many I have at present - twenty'.Our knowledge of nineteenth century travel between east and west is today limited by what history has chosen to highlight. The assumption that there was a one-way process from west to east is not accurate. As some of the above examples illustrate interactions were taking place on many more levels and between different kinds of people than is usually recognised.


What was travelling like in the 19th century?
Who else was travelling between East and West and why?

How did museums collect in the 19th century?
What is Islamic Art?

How was life different from Victorian Britain?
How did these regions of the world interact?